Dashboard

Welcome to the REDEMPTION HIGHWAY production hub — the single source of truth for the whole crew. Jump into any area below; your tasks and the latest activity are right here.

📄

Script

Latest draft (GOLDENROD revision), scene list and sides. Tag elements to prepare the next steps of production.

🎭

Cast

Characters, actors, extras and Day-Out-Of-Days. Suggest talents, rank them and finalize casting decisions.

📍

Locations & Sets

Track filming locations and sets with photos, addresses, access notes and restrictions for every site.

🎞

Shots & Storyboard

Shot lists per scene, frame-by-frame references for operators, and storyboard boards in shooting order.

🎨

Color Palette

"Amber on Asphalt" — the look of the film. Swatches, hex codes and grade targets for DP, lighting, wardrobe and post.

☑

Project stats	Shoot days	Scenes	Prep progress	Days to Day 1
Redemption Highway · Feature movie	18	42	0%	— set Day 1 in Shooting scheduling

Crew

Everyone on REDEMPTION HIGHWAY, grouped by department. Add names, positions, emails and phone numbers as hires are confirmed.

Name	Position	Department	Email	Phone	Status
JC—	Director	Director's department	—	—	CONFIRMED
PR—	Producer	Production	—	—	CONFIRMED
AD—	1st Assistant Director	AD Team	—	—	OFFER OUT
DP—	Director of Photography	Camera	—	—	OFFER OUT
OP—	Camera Operator	Camera	—	—	OPEN
AC—	1st AC / Focus Puller	Camera	—	—	OPEN
GF—	Gaffer	G&E	—	—	INTERVIEWS
KG—	Key Grip	G&E	—	—	INTERVIEWS
PD—	Production Designer	Art	—	—	CONFIRMED
PM—	Props Master	Art	—	—	OPEN
CD—	Costume Designer	Wardrobe	—	—	OFFER OUT
MU—	Hair & Make-Up	HMU	—	—	OPEN
SS—	Script Supervisor	AD Team	—	—	CONFIRMED
SM—	Production Sound Mixer	Sound	—	—	OFFER OUT
BO—	Boom Operator	Sound	—	—	OPEN
CO—	Composer	Music	—	—	OFFER OUT
ED—	Editor	Post	—	—	OFFER OUT
CL—	Colorist	Post	—	—	OPEN

General › Files & Documents

Files & Documents

The production's document vault. Everything related to development, contracts and daily paperwork lives here — link files from the shared drive into the cards.

📥

Script & Development

Screenplay drafts (WHITE → BLUE → PINK → GOLDENROD), synopsis, lookbook, pitch deck.

5 files

📋

Sent Call Sheets

Copies of every call sheet after distribution to crew and cast.

1 file

📝

Contracts

Actor deals, crew deals, location agreements, insurance certificates.

0 files

🎬

Sides

Per-day sides for cast and crew, generated from the current screenplay revision.

0 files

🦺

Safety & Permits

Risk assessments, road permits, drone waivers, location insurance.

2 files

🎞

Visual References

Lookbook stills, reference frames, palette images, temp music links.

8 files

General › Tasks

Tasks

Everything that needs doing, who owns it, and when it's due. Red stripe = urgent, amber = this week, green = on track. Tasks are saved in this browser.

General › Calendar

Calendar

All production events in one place — recces, fittings, shoot days, post milestones. Grey days are off-days.

Breakdowns & more › Script

Script

Current draft: Draft 4 — "GOLDENROD" revision. Scene list below is the working reference for every department. Full PDF and sides are in Files & Documents.

Scene	Slugline	Pages	Cast	Synopsis	Revision
1	EXT. HIGHWAY — DUSK	1–3	DRIVER	Lone driver, rain-slicked asphalt, the open road before everything falls apart.	WHITE
2	INT. MOTEL ROOM — NIGHT	4–8	DRIVER	The phone call that changes everything. Stakes established.	BLUE
3	EXT. GAS STATION — DAY	9–11	DRIVER, STRANGER	A chance encounter. The stranger who knows too much.	PINK
4	INT. DINER — DAY	12–15	DRIVER, STRANGER	Information exchanged under fluorescent light. Quiet tension.	GOLDENROD
8	EXT. TRUCK STOP — NIGHT	28–31	DRIVER, STRANGER, TRUCKER	The deal goes wrong. First real confrontation. Jacket tear (continuity!).	BLUE
12	INT. RESTAURANT — NIGHT	44–52	DRIVER, STRANGER, WAITER	The centerpiece. Dinner that is not a dinner. Flagship shoot, 4 days.	GOLDENROD
15	EXT. BRIDGE — DAWN	60–63	DRIVER	The choice. The highway metaphor made literal.	PINK

Breakdowns & more › Scenes

Scenes

Script breakdown — every scene dissected by production element. Each department confirms its own column; this feeds the schedule, DOOD and props lists.

Sc	Slugline	Cast	Props	Wardrobe	Set Dressing	Vehicles	Stunts / SFX	Sound
1	EXT. HIGHWAY — DUSK	DRIVER	car keys, duffel	canvas jacket, grey tee	—	Hero car + process trailer	wet road, drone	engine, wipers, pass-bys
2	INT. MOTEL ROOM — NIGHT	DRIVER	phone, wallet, map	jacket off, tee	motel room 9, neon glow	—	—	phone voice pre-lay, neon buzz
3	EXT. GAS STATION — DAY	DRIVER, STRANGER	gas nozzle, coffee	+ stranger tan coat	pumps, canopy fluorescents	hero car	—	canopy hum, bell ding
4	INT. DINER — DAY	DRIVER, STRANGER	coffee cups ×4, menu	same	counter, booths, window	—	—	walla, espresso machine
8	EXT. TRUCK STOP — NIGHT	DRIVER, STRANGER, TRUCKER	envelope, knife	JACKET TORN — pre-damage doubles	pumps, rigs, floodlights	2× trucks, hero car	scuffle, breakaway bottle	diesel idles, highway
12	INT. RESTAURANT — NIGHT	DRIVER, STRANGER, WAITER	the note ×5, wine, plates	lead: pressed dark shirt · stranger: red accent	full restaurant dress, amber practicals, rain windows	—	rain bar rig	cutlery, walla, kitchen door
15	EXT. BRIDGE — DAWN	DRIVER	repaired jacket	stitch visible (story point)	bridge rail, fog	hero car parked	height work — safety lines	wind, river, dawn birds

Flag for art dept: Scene 12 needs TWO matching sets of every table prop (camera-side reversals). Amber-glazed cups are a palette item — see Color Palette.

Breakdowns & more › Shots & Storyboard

Shots & Storyboard

Shot lists per scene (DOP + 1st AD), frame-by-frame operator references, and storyboard boards — all keyed to the same shot numbers.

Shot #	Size	Movement	Description	Lens	Setup	Status
12-01	EWS	Static	Establishing: full restaurant, our table in deep frame	24mm	A	TO SHOOT
12-02	WS	Slow push-in	Two-shot: both characters, uneasy stillness	32mm	B	TO SHOOT
12-03	MCU	Static	Lead — profile, rain on window behind	50mm	C	PREPPED
12-04	CU	Dolly in	Hands above the plate — the object under the table	85mm	D	TO SHOOT
12-05	CU	Rack focus	Eyes — the moment of recognition	85mm	D	TO SHOOT
12-06	OTS	Static	Over shoulder — what's said vs. what's meant	40mm	E	TO SHOOT
12-07	Insert	Static	The note passed under the napkin	100mm macro	F	PREPPED
12-08	MS	Handheld	Escalation — glasses tremble, waiter's POV passes	35mm	G	TO SHOOT
12-09	EWS	Crane down	Pull away: two figures small in amber light, city beyond	24mm	H	TO SHOOT
1-01	EWS	Drone forward	Highway snaking through dusk haze, headlights like sparks	24mm	A	SCOUTED
1-02	CU	Process trailer	Hands on the wheel, knuckles white	50mm	B	TO SHOOT
1-03	POV	Static (car mount)	Road lines stuttering under the wipers	27mm	C	TO SHOOT

For the operator: frames below are composition targets agreed with the DOP. Any on-set deviation → flag DOP before rolling.

FRAME 12A
"Arrival"

Door frame left third · 24mm · eye-level

FRAME 12B
"Seated"

Two-shot symmetry · 32mm · seated eye-level

FRAME 12C
"The reveal"

Rack to eyes · 85mm · tight CU

FRAME 12D
"Under table"

Object CU · 100mm macro · top-down 15°

FRAME 12E
"Tension"

Handheld MS · 35mm · slight dutch

FRAME 12F
"Departure"

Crane down · 24mm · figures small, amber glow

Scene	Axis	Lead eyeline	Counterpart eyeline	Note
12	Lead = frame LEFT	Camera-right	Camera-left	Never cross the window line — keep rain in Lead's background
1	Car travels LEFT→RIGHT	—	—	Match all process shots to this direction

Planning › Production calendar

Production calendar

The Gantt view of the whole production — development through picture lock. Bars are relative to shoot weeks; adjust as dates firm up.

Step	Start	End	Duration
Development	—	—	31d
Locked Script (GOLDENROD)	—	—	1d	🎬
Preproduction	—	—	57d
Casting	—	—	40d
Location scouting	—	—	30d
Prep Costume Design	—	—	14d
Loading Equipment	—	—	2d
Location Recce	—	—	1d
Shooting — Block 1 (Highway·Motel·Diner)	—	—	6d
Shooting — Block 2 (Truck Stop nights)	—	—	6d
Shooting — Block 3 (RESTAURANT Sc 12)	—	—	4d
Shooting — Block 4 (Bridge·Wrap)	—	—	2d
Assembly edit	—	—	21d
Director's cut → Picture lock	—	—	21d
Grade & mix → Delivery	—	—	10d

Blue = pre-production · green = shoot blocks · gold = Scene 12 · red = post. Set real dates in Shooting scheduling → they sync to the dashboard countdown.

Planning › Shooting scheduling

Shooting scheduling

The stripboard: drag strips to re-order days. Each strip shows cast (DOOD conflicts), pages (≈ shoot time) and setup count. Day-Out-Of-Days below flags conflicts.

Cast	Day Out of Days (P = prep · W = work · T = travel · R = rest)
DRIVER	Days 1–16: W · Day 17–18: W (bridge) · Sundays: R
STRANGER	Days 2–4, 7–14: W · not required 1, 5–6, 15–18
TRUCKER	Days 7–8: W · hold Day 9 (weather cover)
WAITER	Days 13–16: W only

⚠️ Conflict check: STRANGER hold Day 9 clashes with planned truck-stop pickup — 1st AD to resolve before schedule lock.

More › Call Sheets

Call Sheets

Copies of sent call sheets live here. The current Day 1 draft is below — the print button strips this page to paper format.

REDEMPTION HIGHWAY — CALL SHEET · DAY 1

Production Office · Draft — 1st AD to finalize 24h before call

Unit Call	Location	Weather	Nearest Hospital
06:30 crew · 07:00 camera/G&E · DRIVER 09:00	County Road 9 (Highway) → Motel Moonlight, Rm 9	Dusk 17:40 · light rain AM, clearing PM	County General ER — 12 min from motel

Scene	Slugline	Cast	Pages	Setups	Notes
1	EXT. HIGHWAY — DUSK	DRIVER + stunt double	3	3	Drone window 17:40–18:15 · police escort
2	INT. MOTEL ROOM — NIGHT	DRIVER	5	6	Neon ON · voice call pre-lay playback

Dept	Individual Call	Dept	Individual Call
Camera	07:00 — prep / check	G&E	07:00 — pre-rig window gag
Wardrobe/HMU	08:00 — DRIVER through works	Art	07:30 — motel dress
Sound	07:30 — highway wild tracks	AD Team	06:00 — before crew call

Safety briefing 06:45 basecamp — MANDATORY · Bring layers + waterproofs · Catering: breakfast 06:30, hot meal 18:00 · Advance: Day 2 Gas Station / Diner

Department specific › Cast

Cast

Characters and the actors who play them, with shooting-day counts and Day-Out-Of-Days.

🧑

The Driver

ID 1 · actor not assigned yet
First shooting day: Day 1
Shooting days: 18

LEAD

🕵

The Stranger

ID 2 · actor not assigned yet
First shooting day: Day 2
Shooting days: 11

CASTING

👷

Trucker

ID 3 · actor not assigned yet
First shooting day: Day 7
Shooting days: 2

CASTING

🍽

Waiter

ID 4 · actor not assigned yet
First shooting day: Day 13
Shooting days: 4

CASTING

Actor	Agency	Contact	Plays	Status
—	—	—	The Driver	OFFER OUT
—	—	—	The Stranger	CASTING

Cast	Days 1–6	7–12	13–18
DRIVER	W W W W W W	W W W W W W	W W W W R R
STRANGER	R W W W R R	W W W W W W	W W R R R R
TRUCKER	R R R R R R	W W H R R R	R R R R R R
WAITER	R R R R R R	R R R R R R	W W W W R R

H = hold (paid standby). Final DOOD locks with the schedule.

Department specific › Costumes

Costumes

Character outfits per scene, changes, and pieces. Costume designer owns this page — palette rules are enforced against the Color Palette page.

🧥

Driver 1 — Road look

ID 1001 · Character: The Driver
Scenes: 1, 2, 3 · Worn canvas jacket, grey tee

SAGE / CHARCOAL

👔

Driver 2 — Restaurant look

ID 1002 · Character: The Driver
Scenes: 12 · Pressed dark shirt, no jacket — vulnerability

SLATE / BLACK

🧥

Driver 3 — Repaired jacket

ID 1003 · Character: The Driver
Scenes: 15 · Repair stitch visible (story point)

SAGE

🧥

Stranger 1 — Full look

ID 1004 · Character: The Stranger
Scenes: 3, 4, 8, 12 · Tan overcoat, hat, red scarf pin

SAND + RED ACCENT

🦺

Trucker 1

ID 1005 · Character: Trucker
Scenes: 8 · Hi-vis vest over flannel

🤵

Waiter 1

ID 1006 · Character: Waiter
Scenes: 12 · Black apron over white shirt

Character	Change	Scene	Continuity Note	Doubles
Driver	Jacket torn	8	Tear happens mid-scene — pre-damage jackets needed	×2 jackets
Driver	Jacket repaired	15	Stitch VISIBLE — tailor to make it readable on camera	×1
Stranger	Coat increasingly worn	3 → 12	Distressing progression across 4 looks	—

Piece	Character	Qty	Source	Status
Canvas jacket (hero)	Driver	2	Build / source	IN FITTINGS
Pressed dark shirt	Driver	3	Buy	TO SOURCE
Tan overcoat	Stranger	2	Vintage	IN FITTINGS
Red scarf pin	Stranger	1	Props (hero)	SOURCED

Storage	Contents	Checked by
Wardrobe truck — rack A	Driver looks 1–3	—
Wardrobe truck — rack B	Stranger + background	—
Dressing room — drawers	Underlayers, doubles, distressing kit	—

Department specific › Makeup & Hair

Makeup & Hair

Looks per character per scene block, continuity photos, and kit notes.

😶

Driver — Road worn

Scenes 1–8 · Weathered, stubbled, tired eyes. NO glamour. Progressively more exhausted.

😶

Driver — Restaurant

Scene 12 · Clean-shaven, pale, deliberately vulnerable — contrast to road look.

😶

Stranger — Composed

All scenes · Meticulous grooming that degrades only slightly by scene 12. The control.

😶

Trucker / Waiter

Scene 8 / 12 · Naturalistic background looks.

Continuity rule: HMU photographs every setup — reference set stored in Files & Documents → Visual References. Rain scenes: water-resistant base, re-apply between takes.

Department specific › Locations & Sets

Locations & Sets

Filming locations with photos, exact addresses, access rules and restrictions. Locations manager owns this page.

🍽

The Restaurant

Scenes: 4, 12 · Address: —
Access: rear alley load-in 06:00 · Power: 3-phase kitchen panel
Restrictions: NO drilling (heritage) · silent gen · wrap 23:00

TECH RECCE PENDING

🛣

County Road 9 — Highway

Scene: 1 · County film office permit #—
Drone window 17:40–18:15 only · police escort + rolling roadblock

PERMIT FILED

🛏

Motel Moonlight — Room 9

Scene: 2 · Full buyout 2 nights · Neon sign MUST be ON (glow through blinds)

⛽

Gas Station

Scene: 3 · Overnight 22:00–05:00 · Canopy fluorescents = source light, no extra gen

🚚

Truck Stop

Scene: 8 · Night · 2× trucks parked, floodlights practical · stunt rehearsal space needed

🌉

The Bridge

Scene: 15 · Dawn call 04:00 · height work — safety lines at all times, 2-person rule

PERMIT PENDING

Location	Days 1–6	7–12	13–18
Highway / Motel	D D · · · ·	· · · · · ·	· · · · · ·
Gas Station / Diner	· · D D D D	· · · · · ·	· · · · · ·
Truck Stop	· · · · · ·	D D D · · ·	· · · · · ·
Restaurant	· · · · · ·	· · · · · ·	D D D D · ·
Bridge	· · · · · ·	· · · · · ·	· · · · D D

Department specific › Production design

Production design

Props, set dressings, graphics and vehicles — each tagged with its first shooting day and the scenes it appears in.

📝

The Note

ID 2000 · Props
First shooting day: Day 13 · Shooting days: 4
Scenes: 12 · ×5 duplicates, fold creases match insert 12-07

MAKING

🔑

Car keys + fob

ID 2001 · Props
First shooting day: Day 1 · Scenes: 1, 8, 15 · Continuity hero

SOURCED

☕

Amber-glazed cups

ID 2002 · Props
First shooting day: Day 3 · Scenes: 4, 12 · PALETTE ITEM — glaze must match #B3702E

TO SOURCE ×12

🍾

Breakaway bottle

ID 2003 · Props
First shooting day: Day 8 · Scene: 8 · Stunt-approved

ORDERING

💡

Restaurant amber practicals

ID 2100 · Set dressing
First shooting day: Day 13 · Scene: 12 · 2200K dimmable, 8× table lamps + bar pendants

INSTALL

🪟

Rain window rig dressing

ID 2101 · Set dressing
First shooting day: Day 13 · Scene: 12 · Rain bars + droplet dressing outside every window

🛏

Motel Room 9 dressing

ID 2102 · Set dressing
First shooting day: Day 1 · Scene: 2 · Period-correct, sparse — the room tells the story

🪧

Restaurant signage & menus

ID 2200 · Graphics
First shooting day: Day 13 · Scene: 12 · Typography reference in Files → Visual

🗺

Hand-drawn map

ID 2201 · Graphics
First shooting day: Day 1 · Scene: 2 · Hero insert — art dept hand-drawn

🚗

Hero car

ID 2300 · Vehicles
All shoot days · 2× identical needed (process unit)

SOURCING ×2

🚛

Trucks (Truck Stop)

ID 2301 · Vehicles
Days 7–8 · Picture vehicles + idling diesel ambience

Department specific › VFX, Stunts & more

VFX, Stunts & more

Special requirements beyond the ordinary — visual effects, special effects, stunts and specialist sound. Owners: VFX sup / stunt coord / sound mixer.

🌧

Window rain enhancement

Scenes: 2, 12 · Practical rain bars + CG droplets/streaks in post for close windows

POST

🌁

Bridge fog volume

Scene: 15 · Practical hazer + CG fog depth for dawn wide

🌆

City beyond restaurant window

Scene: 12 · Plate + CG city lights in 12-01 and 12-09

Department specific › Color Palette

Color Palette

"Amber on Asphalt" — the look of REDEMPTION HIGHWAY. Reference palette for DOP, lighting, art and wardrobe, and the grade target for post.

Global palette

Restaurant Amber
#B3702E · practicals

Rain Slate
#1C2836 · ext. nights

Diner Red
#6E1F24 · act II

Motel Sage
#8A8F7A

Headlight White
#E8E6E0

Void Black
#0D0D0F

Scene 12 — Restaurant night

Table practical
2200K

Window rain
cool fill

Wood / booth
warmth

Contrast ratio target 8:1. Faces warm, background cool. Skin never orange — keep amber in set & props, not the key light.

Grade target	Value
Black level	Crushed but not clipped — #0D0D0F
Skin	Warm-neutral, never magenta
Highlights	Gentle halation on practicals
Aspect	2.39:1 anamorphic

Post production › Sound & Music

Sound & Music

Score direction, cue list and set-sound requirements. Composer and sound mixer own this page.

Score tone: sparse, road-worn. Slide guitar + analog synth pads. Silence is a weapon — the restaurant scene plays almost dry; score enters only after the reveal (12-05).

Cue	Scene	Direction	Status
RH-01 "Asphalt"	1	Lone slide motif, heartbeat pulse under	DEMO
RH-04 "Fluorescent"	4	Dissonant held tones, almost inaudible	TO WRITE
RH-12 "The Dinner"	12	No score until 12-05 — then a single sustained tone, strings behind glass	DEMO
RH-15 "Dawn"	15	Full theme finally resolved — first warmth of the film	TO WRITE

🎧

Temp tracks

Drop audio links / embeds here for edit reference

🎙

Set sound notes

Restaurant fridge hum wild-tracked before wrap · all night exts: distant highway bed

🔊

Delivery

5.1 mix + stereo M&E · stems required for festival

Post production › Post & Edit

Post & Edit

Editorial workflow, dailies pipeline and delivery specs. Editor + colorist own this page.

Dailies workflow

Offload: 2× drives, checksum verified on set
Naming: RH_[sc]_[sh]_[tk] — no exceptions
Sync: Tentacle timecode; sound report same day
Review: DOP + Director same-night link
DIT: on board camera van — sync in transit

Delivery specs

Master: ProRes 4444 XQ, 4K
Grade: Dolby Vision pass planned
Aspect: 2.39:1 anamorphic
Submasters: Festival DCP + ProRes LT screener
Audio: 5.1 + M&E stems

Version	Scope	Status
Assembly	All dailies, scene order	NOT STARTED
Director's cut	Full pass	NOT STARTED
Picture lock	Target — 6 weeks post wrap	—
Grade & mix	2 weeks	—
Delivery	Festival DCP + screener	—

Post production › Continuity Log

Continuity Log

Script supervisor's running log — what was shot, what's outstanding, and every continuity note the edit will need.

Day	Scenes shot	Status	Continuity notes / pickups
—	—	NOT STARTED	Log opens on Day 1. Key items pre-flagged: jacket tear (Sc 8) · note fold creases (Sc 12) · eyeline direction (Sc 1)

Paper backup: the script supervisor keeps a handwritten log as master; this page is the crew-facing copy.

More › Safety & Risk

Safety & Risk

Risk assessments and emergency plan. Nothing rolls on a stunt or rig without a signed assessment here.

Emergency plan

Nearest ER: County General — posted at basecamp + call sheets
Medic required: Day 1 (road), Days 7–8 (stunts), Day 17 (bridge)
Fire: extinguishers at G&E cart + kitchen sets
Weather: lightning = stop work · heat: water + shade 10 min/hr
Chain: 1st AD → Producer → Safety Officer

Sign-off board

Rolling roadblock (Day 1) PENDING
Drone over highway PENDING
Scuffle + breakaway (Day 8) PENDING
Rain rig × electricity (Days 13–16) PENDING
Bridge height work (Day 17) PENDING

More › Transport & Catering

Transport & Catering

Move the circus: vehicles, moves, and meals. Call times assume these transports.

Vehicle	Assignment	Notes
Art truck (5-ton)	Pre-load Day 0 · restaurant dress Day 12–13	Rear alley parking, permit posted
G&E truck	Every shoot day	Pre-rig night before restaurant block
Camera van	Every shoot day	DIT station on board
Process trailer	Days 1, 5	Licensed driver required
Cast trailers ×2	Days with DRIVER + STRANGER	Quiet zone near set
Crew shuttles	Hotel ↔ location	Times follow daily call sheet

Catering

Caterer: — · booked Days 1–18. Hot breakfast on crew call · main meal 6 hrs after call · night-shoot hot drinks after 22:00 · dietary needs collected at Day 0 check-in.

Craft services

Basecamp crafty daily · on-set satellite for the restaurant block · water + electrolytes at every exterior.

REDEMPTION HIGHWAY

Dashboard

Script

Cast

Locations & Sets

Shots & Storyboard

Color Palette

Tasks

My tasks

Marked by me

What's going on?

Crew

Files & Documents

Script & Development

Sent Call Sheets

Contracts

Sides

Safety & Permits

Visual References

Tasks

Calendar

Script

Scenes

Shots & Storyboard

Production calendar

Shooting scheduling

Call Sheets

REDEMPTION HIGHWAY — CALL SHEET · DAY 1

Cast

The Driver

The Stranger

Trucker

Waiter

Restaurant patrons

Diner customers

Gas station night staff

Costumes

Driver 1 — Road look

Driver 2 — Restaurant look

Driver 3 — Repaired jacket

Stranger 1 — Full look

Trucker 1

Waiter 1

Makeup & Hair

Driver — Road worn

Driver — Restaurant

Stranger — Composed

Trucker / Waiter

Locations & Sets

The Restaurant

County Road 9 — Highway

Motel Moonlight — Room 9

Gas Station

Truck Stop

The Bridge

Restaurant interior — dressed

Motel Room 9 — dressed

Production design

The Note

Car keys + fob

Amber-glazed cups

Breakaway bottle

Restaurant amber practicals

Rain window rig dressing

Motel Room 9 dressing

Restaurant signage & menus

Hand-drawn map

Hero car

Trucks (Truck Stop)

VFX, Stunts & more

Window rain enhancement

Bridge fog volume

City beyond restaurant window

Rain bar rig

Breakaway bottle gag

Truck-stop scuffle

Rolling roadblock driving

Wild track list

Phone voice pre-lay

Color Palette